Showing posts with label cultural-displacement. Show all posts
Showing posts with label cultural-displacement. Show all posts

Sunday, April 24, 2011

Easter Sunday promises...


Fleet Foxes
“Helplessness Blues”
[various formats] / Sub Pop / 2011

Have a listen to this sweet little song from the Fleet Foxes.

Lyrics:

“I was raised up believing
I was somehow unique
Like a snowflake distinct among snowflakes,
unique in each way you can see

And now after some thinking,
I'd say I'd rather be
A functioning cog in some great machinery
serving something beyond me

But I don't, I don't know what that will be
I'll get back to you someday soon you will see

What's my name, what's my station, oh, just tell me what I should do
I don't need to be kind to the armies of night that would do such injustice to you
Or bow down and be grateful and say "sure, take all that you see"
To the men who move only in dimly-lit halls and determine my future for me

And I don't, I don't know who to believe
I'll get back to you someday soon you will see

If I know only one thing, it's that everything that I see
Of the world outside is so inconceivable often I barely can speak
Yeah I'm tongue-tied and dizzy and I can't keep it to myself
What good is it to sing helplessness blues, why should I wait for anyone else?

And I know, I know you will keep me on the shelf
I'll come back to you someday soon myself

If I had an orchard, I'd work till I'm raw
If I had an orchard, I'd work till I'm sore
And you would wait tables and soon run the store

Gold hair in the sunlight, my light in the dawn
If I had an orchard, I'd work till I'm sore
If I had an orchard, I'd work till I'm sore
Someday I'll be like the man on the screen”


* * *

This song speaks to me because I am seeking hope, redemption, and direction in life.

As for “snowflakes” and fierce originality:

I was one of those emotionally troubled kids who grew up labeled as “G/T” (“gifted and talented”) in Montgomery County, Maryland.  Throughout my public and private schooling, “gifted” kids -- particularly artistic & expressive ones -- were often encouraged to forge a fierce alloy of individuality within themselves.  From an early age we were exhorted to develop a strong and original sense of identity.  We were pushed hard to cultivate our various talents and métiers in uncompromising and heightened ways.

Those purported “gifts” became ever-heavier burdens to me as I unraveled time and again during my childhood and teen years.  I was a highly unstable youth, struggling to stay together while I joylessly shuttled between an intensely demanding school life and a wildly turbulent home life.

I was also competing with very impressive high-functioning kids from seemingly stable, nurturing homes, relative to mine (and a few others’).  These kids were formiddable rivals.  They were brilliant, intrepid, amazing individuals with ferocious and well-disciplined minds.

On the surface at least, many seemed exceedingly self-assured about the paths that lay ahead.  They also appeared to much more fully experience the sweetness of their youth and didn’t seem to know or understand the sourness of premature defeat and despair.

These winners were better “coached” and prepared to navigate social situations, school, work, and beyond.  They still are today, even as parents and professionals, coaching the next generation of winners.

While I struggled at home, battling with my raging authoritarian parents, at school I grew quietly envious and resentful of those whose “gifts” were more consistently nurtured and sustained (even as I began to academically crash and burn), those beautiful, smart, capable golden boys and girls who unwittingly tormented me in my youth spent in their shadows.

I sometimes imagined what their home lives were like, ultimately concluding that most couldn’t be having the kind of near-nightly knock-down drag-out fights with their dads that I was dealing with.  Most didn’t seem to be struggling with suicidal flirtations and persistent demons of self-hatred.

(An aside:

I couldn’t listen to Nirvana in high school because I knew it would have pushed me over the edge into the abyss.  Cobain came to represent the Pied Piper of Hell to me.)

Yes, I was a Faustian striver, a secret drive-deprivation jockey (sleep, food), but ultimately I had little to show for it.

By eleventh grade my mind was fast unraveling.  I was entering a terrible secret madness, a cycle of nightly manias followed by daily frenzies under a descending fog of numbness.

I tidily binged and purged history on quizzes that tested my wild eidetic memory, consistently scoring 19/20 and 20/20 grades on Mr. Early's textbook quizzes.  Then I'd turn around and vomit fact-fixated incoherence all over the mid-terms.

(I was a teenaged history anorexic and lived to tell.)

* * *

I still remember the pretty kids in the plaid uniforms parading the hallways, buzzing about going to Lollapalooza.

Yes, when it came down to it, many of my peers seemed to be teens for whom rebellion was merely just another adolescent pose to try on, not a soul survival strategy.

Over time I grew more and more arrogant and bitter.  (To this day, I struggle with this defensive posturing, often bristling with irritation and impatience at the apparent smugness of many cool, self-confident professionals around my age.)  I was conceited and defensive about my ever-more-questionable “talents,” vainly clinging to the ones I still believed that I had.  Every day I sought small self-affirming demonstrations of my self worth, shreds of dignity and promise in a life that seemed to be shot through with endless humiliations and hidden torments.

Meanwhile I was growing up in a household where my spirit was being pushed down by angry, miserable, exhausted old tyrants.  (I deeply hated my parents and also came to much more virulently hate myself.  I’m ashamed to say that I transferred some of this loathing to my most domineering teachers and thoughtlessly cruel peers.)

* * *

After multiple psychiatric hospitalizations during my teens and twenties and thirties, I have finally had it at the ripe old age of 33.

I am sick and tired of wanting to escape from my life and self.

I want a détente with God.

I want to be warm and at peace with myself — no longer cold and arrogant and at war with the world.

I want peace and grace and strength so that I will not crack again.

I want to give back to the people who have helped me, the people who have somehow seen through the mess on the outside to find a person with some wisdom and, yes, a few small leftover gifts.


(If for some reason you’ve gotten this far, thank you for reading this little essay.  It was almost as rewarding to write as the few good ones that I remember writing in high school (now forever lost to me).)


Happy Easter.

* * *

"And I don’t, I don't know who to believe
I’ll get back to you someday soon you will see"

I misheard the second line as, “I’ll give back to you someday soon you will see.”

I will, though.  I’ll find a way.

I just have to stop taking so much away from you/us first.

Please leave feedback below, friend or foe.  (I miss school and feedback from English teachers.)

Saturday, April 16, 2011

Getting Older...

So we went to an event billed as a “dance party” at Black Cat in D.C.  Normally we go to this club to see indie rock shows, but we thought we'd attempt some dancing here in the fast-waning days of our youth.

Here is how the event was billed on the website:

Saturday Apr 16

THE SATURDAY NIGHT DANCE PARTY

New Wave, Pop, 90s, and Other Oddities w/ DJ [name retracted].

$5 Backstage / Doors at 9:30

Tickets available night of show.


So we attended this event with our friend Eric, hoping for a night of eighties New Wave electronic dance numbers (think New Order or Pet Shop Boys) with maybe some nineties Trip-hop (think Portishead or Tricky) thrown in for good measure.  We’d also hoped there would be some oldsters like us (30-somethings) to round the crowd out.

It turns out that we were dead wrong.  Instead the DJ played an entire set of hip-hop, house music, R&B, and disco.  To add to the sense of displacement, the median age of the patrons seemed to be about 24.

We did have fun, though.  By midnight the music was pulsing through the stage and we were ridng on wave after wave of endorphins.  We were moving in rhythm with the crowd, feeling sweet tides of sound wash through our bodies.  (The overpriced Cosmopolitans and Manhattans didn’t hurt either.)  I could almost forget the fact that many of the kids on the dance floor hadn’t even been born when “Billy Jean” (Michael Jackson) or “Groove Is In The Heart” (Deee-Lite) were released.

After a night of cutting the rug to unrecognized hip hop dance anthems alongside youthful Millennials, we decided to call it a night around half past midnight and headed back to the Metro, grateful for our suburban creature comforts of encroaching middle age.

I leave you with this old dance track from New Order’s 1989 Technique album, called “Fine Time.”  If I had been the deejay, the sets would have contained tracks like this one.



Lyrics:

You’re much too young
To be a part of me
Too young
To get a hold on me

You’re much too young
You’re much too young
You’re much too young
To mess around with me

Hey
You know I’ve met a lot of cool chicks
But I’ve never met a girl with all her own teeth
That’s why I love you babe
That’s why we could be
But you’re too young
Too young

At the end
At the end
At the end
The past doesn’t matter

Repeat (×3)

Hey
Sophisticated lady
You know I’ve met a lot of cool chicks
But you've got style
You’ve got class
But most of all
You’ve got love technique.