Showing posts with label indie-pop. Show all posts
Showing posts with label indie-pop. Show all posts

Wednesday, April 20, 2011

Wednesday afternoon synthpop dirge...



The Magnetic Fields
“Either You Don’t Love Me Or I Don’t Love You”
The House of Tomorrow [EP] / Merge / 1999*

(* Originally issued as a 7” (1993) and as a CD (1996) by the Feel Good All Over indie label.)


Lyrics:

Lost roads and towns of which nobody’s found the name
All the children drowned and there’s no one around to blame
Lost roads and towns left to wilder in seed and snow
As the sun goes down that’s where I'd like to go

Every time you feel wonderful, baby, I feel bad
Either you don’t love me or I don’t love you, oh yeah
When you remind me of all the good times I feel sad
Either you don’t love me or I don’t love you, oh yeah

You and me in the waiting room of a disused railroad station
Scavenging for a few antiques, we’ll make a fortune just have patience
If we find an old signal box you can write your dissertation.

Every time you feel wonderful, baby, I feel bad
Either you don’t love me or I don’t love you, oh yeah
When you remind me of all the good times I feel sad
Either you don’t love me or I don’t love you, oh yeah


Postscript:  Coincidentally, I’ve been listening to this song while thinking about the impending conclusion of my ten-year marriage and haunting Kensington’s railroad station and antiques district as the sun goes down on West Howard Avenue.  And oddly, a friend of mine called up this afternoon and we talked a bit about his dissertation on rhetoric.

So right now my slice-of-life experiences resemble a tag cloud for a Magnetic Fields song lyric.  Swell.

Sunday, April 17, 2011

Sunday night indie pop heaven...



The Magnetic Fields
“The Village In The Morning”
Get Lost, Merge (1995)




This song sounds distorted and garbled, like it’s being played from an underwater boombox.  That’s not just the way it sounds in the YouTube clip; it’s also the way it sounds on the album.  The chorus is sublime.

Lyrics:

Outside the rain is coming down
Inside it’s warm and dry
You’ll never find a cab uptown
so why not stay the night?
Why don’t you call in sick tomorrow?
Let’s sleep the day away
I’ve got pajamas you can borrow
Let’s take a holiday

You can’t leave the village in the morning
when the radio writes poetry for avenue pi
You get tangled in the wheels of old queen river
and you can’t find the breath to whisper goodbye

Why don’t you stay until the weekend?
It should clear up by then
As your resolve begins to weaken
we’ll become such good friends
And you could stay until the summer
and we can sleep through spring
And I can telephone my drummer
and have her get your things

Why don’t you stay until we’re old
and fall in love with life?
Why don’t you stay until we’re ghosts?
We’ll only seem to die...

Sunday morning moment of bliss...

I love playing this song on quiet, sunny Sunday mornings.  The song features a celesta, a keyboard instrument that sounds like a tinkly metal xylophone.  The mood of the lyrics is wistful and poignant, and even slightly cautious and wary.

The track comes from the wonderful The Velvet Underground & Nico LP, released in 1967.


Lyrics:

Sunday morning, praise the dawning
It’s just a restless feeling by my side
Early dawning, Sunday morning
It’s just the wasted years so close behind
Watch out, the world’s behind you
There’s always someone around you who will call
It’s nothing at all

Sunday morning and I’m falling
I’ve got a feeling I don’t want to know
Early dawning, Sunday morning
It’s all the streets you crossed, not so long ago
Watch out, the world’s behind you
There’s always someone around you who will call
It’s nothing at all

Watch out, the world’s behind you
There’s always someone around you who will call
It’s nothing at all

Sunday morning...
Sunday morning...
Sunday morning...

Saturday, April 16, 2011

Saturday indie rock moment...





The Vaselines are a Glaswegian band that was famously beloved by Nirvana frontman Kurt Cobain.  During the 1980s the primary members and songwriters were Eugene Kelly and Frances McKee.

I wholeheartedly recommend the 1992 Sub Pop Records retrospective The Way Of The Vaselines: A Complete History.

This is a catchy song about lust called “Dying For It.”

Lyrics:

She said to me, would you like to be,
I got plenty of time, It's gonna take some time.

Ahhhh I'm hanging out.
I'm hanging out baby, I'm hanging out,
Ahhhh I'm hanging out.
I'm hanging out baby, I'm hanging out,
Ahhhh I'm hanging out,
Come on now, come along sing my song.

She said to me, we're gonna lie on the floor,
Cause we don't need to go and can choose some more.

I'm dying for something, oh what will it be,
I'm dying for you to do something to me.